La briciola squisita

  « These are Drawings with Coffee. If Modigliani had Drawings for drinks, I can also have "Drawings with coffee". Drinking coffee is my favorite ritual. Then I relax, organize, draw a little, write a little, plan…relaxed, relaxed, just relaxed… » . . Ana Djukanovic Miljkovac (@anamiljkovac_art), Drawings with coffee, 2019, felt-tip pen and ballpoint pen on paper, 25 x 20 cm . . Fronts: various text

« Mine is kind of a devotion for diaries, and it’s been like this since i used  to stick flower petals on the page borders of my primary school years.  Only during art school I learned to attach words to my drawings and  illustrations, cause before then I thought it was unnecessary; why should  I write on something that is meant to speak for it self alone? A teacher of my class always underlined the importance of adding written  informations during the sketching phase, and mostly of the time I didn’t  know what to say, sometimes maybe I faked it to write something useful. With time, while I was focusing on my artistic path, words started  emerging, about anything: shop lists, songs titles, memo ideas... Until  it became essential to me. I really need to put the tickling weight of  thoughts somewhere, before it can possibly fade, and paper is capable to keep it for me with secrecy. Handwritten words are part of me, as much  as visionary f...

« I'm in the Doctors waiting room - and ideas grow and push aside pre appointment tension. Using 'Poems in the Waiting Room' as my sketchbook I jot down ideas, keeping an ear open and an eye on the buzzer board. Later I roughly colour the scribbles so as to have a vague idea what I was mentally juggling with. Some waiting room ideas are simply repeats, dragged out at times of stress - others seem new, and they can take wing. » . . John Thomson ( www.thomsonart.co.uk, @johnthomsonart), Poems in the Waiting Room, ink and pencil on paper, 20 x 20 cm

Ursula Vargas (www.ursulavargas.com and @ursulavargas_art),  Passion roulette, 2020, ink pen on paper, 24 x 24 cm . . Front: PASSION ROULETTE . . HELP . . HUMAN condition . . childhood killers . . it's a perverts world

First image: Pippa Martins (https://pippamartins.myportfolio.com/), Untitled, 2014, pen on paper, 13.5 x 13 cm Second image: Pippa Martins (https://pippamartins.myportfolio.com/), Untitled, 2015, marker on paper, 12 x 16.5 cm Third image: Pippa Martins (https://pippamartins.myportfolio.com/), Untitled, 2019, pen and marker on paper, 10.5 x 15 cm Fourth image: Pippa Martins (https://pippamartins.myportfolio.com/), Untitled, 2019, pen on paper, 11.5 x 16 cm . . Front of all images: various text

Oscar Salamanca (@oscarsalamancaa), Juegos de muerte, 2021, mixed media on paper, 21 x 29 cm . . Front: Fácil recordar el pobre escenario de una vida cargada de nostalgia por el bienestar de otro, extraños seres capaces de robar el aliento más considerado. Antes de estos dibujos mi existencia tranquila se tornaba cruda, directa, detestable dentro de los pobres entramados de mi cultura del hambre. Suelo conquistar la calle con los pies sudorosos y cansados de tanto deseo por conquistas pírricas. Qué tanto pueden saber quienes mi interioridad pretende rescatar, si la vida de un triste a nadie importa, circunstancia fútil en clave de afectación potencia, afectación cargada de frutos rizomáticos Oye tú, el que escucha tras el vidrio nauseabundo, aquel miserable adicto a la sociedad de la conexión. Aquí canta por siempre quien sabe de antemano que habrá de alcanzarlo la muerte. Oye tú mira qué fácil decimos ese adiós violento de la potencia ciega. Ve a tu hogar a calmar los odios lentamente...

«[...] l e pagine sono alcuni dei diari che avevo realizzato fra il 2000 e il 2018, avevo raccolto questi quadernetti pubblicitari della Omnitel chiamati "La voglia di raccontare", e nel tempo ci avevo inserito piccole suggestioni, pensieri, disegni. La pagina è una delle più recenti del 2016, in tutto ne ho una decina, ora uso quelli di Tiger, amo scarabocchiare con le linee ». . . Domenico Olivero (@domenicoolivero), La voglia di raccontare, 2016, graphite on paper, 8 x 12 cm . . Front: A chiunque è consentito conoscere se stesso ed essere saggio Eraclito . . Printed text: Un'idea che non sia pericolosa non merita affatto di essere chiamata un'idea. (O.Wilde)

First, second and third image: Isidora Sarić ( @isidorasaric._ ), Sketch of the problem, 2019, mixed media on paper, 29.6 x 42cm . . First, second and third image: <various text>

First image: Vahdeta Tahirovic (@vahdeta.tahirovic), NON, 2020 (in Belgrade), watercolor, ink, fineliner, pencil and marker on paper, 29.7 x 21 cm . . {Front (first page)} NON . . Second image: Vahdeta Tahirovic (@vahdeta.tahirovic), 2020 (in Linz), Button, watercolor on paper, 21 x 29.7 cm . . {Front (second page)} KNOPF (MUSIK) GERÄUSCHE IMMER LEISER UND LEISER AM ENDE STILLE AUSSCHALTKNOPF ALLES ABGESPIELT . . Third image: Vahdeta Tahirovic (@vahdeta.tahirovic), Entschuldigung, 2019 (in Paris), watercolor on paper, 21 x 29.7 cm . . {Front (first page)} Entschuldigung Es tut mir leid. . . Fourth image: Vahdeta Tahirovic (@vahdeta.tahirovic), The ladder, 2019 (in Linz), gouache, ink and fineliner on paper, 21 x 29.7 cm . . {Front (first page)} THERE IS NO HOME . . validation how about building a house on the moon . . {Front (second page)} "des gibts jo neeet!!!" . . WIESO SPRICHST DU MIT MIR ANDERS, ANDERS MIT MIR? I waited for this day . . "RED NET SO VÜ UND TUA WOS MA...

« I love to leave people and myself with writing and painting in the relationalities we experience. And of course, if there are instant, everyday drawings and words I hear from people in the environment!» . . First image: Özge Yalacak (@ozge_yalacak), Thermometer, 2021, marker and coffee on paper, 21 x 14.8 cm . . Second image: Özge Yalacak (@ozge_yalacak), I'm not bored, 2021, charcoal on paper, 10 x 7 cm . . Third image: Özge Yalacak (@ozge_yalacak), Mortal objects 2020, crayon on paper, 14.8 x 21 cm . . Front of all images: <various texts in Turkish>

《[...] the lines in my drawings ARE text and were handwritten》 . . First image: Joseph Reyes (@gommalicious), 5 pigs, 2020, pen and ink on paper, 8.5 x 11 in . . Second image: Joseph Reyes (@gommalicious), Hands up, 2020, pen and ink on paper, 8.5 x 11 in

  Virginia Tozzi (@virginiatozziart), With withered flowers in her trembling hands, 2021, mixed media on paper with a wooden vintage frame support, 17 x 17 cm . . Front: With withered flowers in her trembling hands

Lucio Palmieri (luciopalmieri.tumblr.com), Donkey judgement does not fly in the sky, 2020, mixed media on paper, 42 x 29.7cm . . Front: <deleted text>

« I use my journal to draw the sounds I hear when soundwalking. They become raw material for soundscape compositions and forms of graphic notation. » . . Daniela O'Fee (@danielaofee), Soundscape Journal Entry "Playground", 2020, ink on paper, 20 x 25 cm . . Front: Playground

First image Nevena Živković (@nit_leso), Eternal idea, 2020, marker on paper, 21x15cm . . Front:  {Text translated from Serbian} Monumental is something that is of great importance, it is not a question of its physical size. It is a monumental content and it is a monumental idea. On the other hand, I believe that an idea exists and that it must arise from the circumstances of time, in addition to something from which that time was created. This time is the result and consequence of previous times, and those times are the result of social and human influences. Where is my idea? Where can I see the meaning? . . Second image Nevena Živković (@nit_leso), Escapism, 2020, marker on paper, 21x15cm . . Third image Nevena Živković (@nit_leso), The Gemini is reflected in the river under the lion's moonlight, 2020, marker on paper, 21x15cm . . Front: {Text translated from Serbian} The Gemini is reflected in the river under the lion's moonlight One evening the Gemini walked along the river...

Saba Najafi (@sabaa.najafi), Studies of a pain, 2020, pencil and coloured pencil on paper, 21 x 28 cm . . . First page from left: Studi di un dolore . . طرحی .برای .یک درد . . یک طرح یک ایده . . هم به درد این درد را درمان کنم هم به صبر این کار آسان کنم (Rumi) . . osso spugnoso - midollo osseo . . Second page: il dolore il ricordo della felicità non è più la felicità. il ricordo del dolore è ancora dolore. Lord Byron . . مطالعه یک درد مطالعه یک درد

Giulia Berra (@berra_giulia), Untitled, 2019, ballpoint pen on paper, 9 x 14 cm (each page) . . First page from left: giudizio di Salomone . . malattia . . amore . . fontana giovinezza . . vecchi . . giovani (nude solo donne) . . Second page: Venere e Cupido con favo avvolto da api stranissima ape a 8 zampe . . copia dal trittico di Bosh a Vienna . . crocifisso come tronco albero parzialmente scortecciato . . piede . . tronchi molto <?> sembrerebbero alberi vivi se non ci fosse piede ladrone . . Hans <?>