La briciola squisita

« L'œuvre est une sorte de livre qui fait le pont entre le monde des vivants et des morts.» . . Sophie Lavigne (@sofilavigne), Lettre à ma mère, 2020, (the images, inkjet printed, are taken from her sketchbooks and they are made of graphite pencil on kraft paper) leporello folded with hemp paper Ginwashi awagami, acetate, and paper thread wrapped in a silk ribbon, book: 5 x 50 cm, open and 5 x 5 cm closed; thread: 5 x 200 cm . . <various text>

First image: Vahdeta Tahirovic (@vahdeta.tahirovic), NON, 2020 (in Belgrade), watercolor, ink, fineliner, pencil and marker on paper, 29.7 x 21 cm . . {Front (first page)} NON . . Second image: Vahdeta Tahirovic (@vahdeta.tahirovic), 2020 (in Linz), Button, watercolor on paper, 21 x 29.7 cm . . {Front (second page)} KNOPF (MUSIK) GERÄUSCHE IMMER LEISER UND LEISER AM ENDE STILLE AUSSCHALTKNOPF ALLES ABGESPIELT . . Third image: Vahdeta Tahirovic (@vahdeta.tahirovic), Entschuldigung, 2019 (in Paris), watercolor on paper, 21 x 29.7 cm . . {Front (first page)} Entschuldigung Es tut mir leid. . . Fourth image: Vahdeta Tahirovic (@vahdeta.tahirovic), The ladder, 2019 (in Linz), gouache, ink and fineliner on paper, 21 x 29.7 cm . . {Front (first page)} THERE IS NO HOME . . validation how about building a house on the moon . . {Front (second page)} "des gibts jo neeet!!!" . . WIESO SPRICHST DU MIT MIR ANDERS, ANDERS MIT MIR? I waited for this day . . "RED NET SO VÜ UND TUA WOS MA...

« I love to leave people and myself with writing and painting in the relationalities we experience. And of course, if there are instant, everyday drawings and words I hear from people in the environment!» . . First image: Özge Yalacak (@ozge_yalacak), Thermometer, 2021, marker and coffee on paper, 21 x 14.8 cm . . Second image: Özge Yalacak (@ozge_yalacak), I'm not bored, 2021, charcoal on paper, 10 x 7 cm . . Third image: Özge Yalacak (@ozge_yalacak), Mortal objects 2020, crayon on paper, 14.8 x 21 cm . . Front of all images: <various texts in Turkish>

First image Nevena Živković (@nit_leso), Eternal idea, 2020, marker on paper, 21x15cm . . Front:  {Text translated from Serbian} Monumental is something that is of great importance, it is not a question of its physical size. It is a monumental content and it is a monumental idea. On the other hand, I believe that an idea exists and that it must arise from the circumstances of time, in addition to something from which that time was created. This time is the result and consequence of previous times, and those times are the result of social and human influences. Where is my idea? Where can I see the meaning? . . Second image Nevena Živković (@nit_leso), Escapism, 2020, marker on paper, 21x15cm . . Third image Nevena Živković (@nit_leso), The Gemini is reflected in the river under the lion's moonlight, 2020, marker on paper, 21x15cm . . Front: {Text translated from Serbian} The Gemini is reflected in the river under the lion's moonlight One evening the Gemini walked along the river...

Saba Najafi (@sabaa.najafi), Studies of a pain, 2020, pencil and coloured pencil on paper, 21 x 28 cm . . . First page from left: Studi di un dolore . . طرحی .برای .یک درد . . یک طرح یک ایده . . هم به درد این درد را درمان کنم هم به صبر این کار آسان کنم (Rumi) . . osso spugnoso - midollo osseo . . Second page: il dolore il ricordo della felicità non è più la felicità. il ricordo del dolore è ancora dolore. Lord Byron . . مطالعه یک درد مطالعه یک درد

Giulia Berra (@berra_giulia), Untitled, 2019, ballpoint pen on paper, 9 x 14 cm (each page) . . First page from left: giudizio di Salomone . . malattia . . amore . . fontana giovinezza . . vecchi . . giovani (nude solo donne) . . Second page: Venere e Cupido con favo avvolto da api stranissima ape a 8 zampe . . copia dal trittico di Bosh a Vienna . . crocifisso come tronco albero parzialmente scortecciato . . piede . . tronchi molto <?> sembrerebbero alberi vivi se non ci fosse piede ladrone . . Hans <?>