La briciola squisita

Ursula Vargas (www.ursulavargas.com and @ursulavargas_art),  Passion roulette, 2020, ink pen on paper, 24 x 24 cm . . Front: PASSION ROULETTE . . HELP . . HUMAN condition . . childhood killers . . it's a perverts world

« ‘Why I?’ as a singular question, denotes multiple perspectives. For most, it is about ‘Why I?’ have to go through this/ ‘Why’ life has been unfair to me. But to the contrary, if we start asking, ‘Why I am not strong enough to overcome obstacles?’. It takes a lot of courage, but one can find a way. If the ‘Why’ here, is replaced by ‘How’ the pessimist attitude transforms to the optimist. As a text it is just about interchanging words, but in life the change brings a positive comparative difference. » . . Payal Chakraborty (@payal.chakraborty.banerjee and lifeafullcircle.home.blog),  ‘Why I ?’, 2021, pen and ink on paper, 6x8.5 inches . . Front: Why I? {repeated} <question mark>

Amy Morse (@therebetterbecats), Eric Przyswa (@ericbobmax) , t.a.k.tak (traceability authentication koncept @t.a.k.tak), Untitled, 2021, ink and marker on paper, 8.5”x 11” . . Front: Traceability . . traces of meaning traces of traces traces of death . . yes/no/maybe we don't know series . . How can a spoiled bourgeois with an excentricity mainly summarized with a silk scarf can be provocative with an artist of your category having such a pedigree my moral values will avoid to repeat ????? . . Paris . . t.a.k {repeated} Traceability Authenticate Koncept

Jonathan Roelofse (Facebook: Jonathan Roelofse Art), Shoestring (Self) Assessment, 2021, ink on found paper, n/a . . Front: SKIN ON FLESH ON BONE IN SHAPE THIS FRAME IN THOUGHT WITH VOICE