La briciola squisita

Elisabetta Oneto (@elisabettaoneto1900), Entry, 2021, mixed media and wood, fabric, moss and iron, 80 x 25 x 15 cm . . Front: esci e entri dalla mia vita come una farfalla che non ha né vita né

Jonathan Roelofse (Facebook: Jonathan Roelofse Art), Shoestring (Self) Assessment, 2021, ink on found paper, n/a . . Front: SKIN ON FLESH ON BONE IN SHAPE THIS FRAME IN THOUGHT WITH VOICE

« I love to leave people and myself with writing and painting in the relationalities we experience. And of course, if there are instant, everyday drawings and words I hear from people in the environment!» . . First image: Özge Yalacak (@ozge_yalacak), Thermometer, 2021, marker and coffee on paper, 21 x 14.8 cm . . Second image: Özge Yalacak (@ozge_yalacak), I'm not bored, 2021, charcoal on paper, 10 x 7 cm . . Third image: Özge Yalacak (@ozge_yalacak), Mortal objects 2020, crayon on paper, 14.8 x 21 cm . . Front of all images: <various texts in Turkish>

Abbie Cairns (@abbiecairnsportfolio), Waiting for you, 2015, black biro on paper, 21 x 29.7 cm . . Front: waiting for you {repeated}

《[...] the lines in my drawings ARE text and were handwritten》 . . First image: Joseph Reyes (@gommalicious), 5 pigs, 2020, pen and ink on paper, 8.5 x 11 in . . Second image: Joseph Reyes (@gommalicious), Hands up, 2020, pen and ink on paper, 8.5 x 11 in

  Virginia Tozzi (@virginiatozziart), With withered flowers in her trembling hands, 2021, mixed media on paper with a wooden vintage frame support, 17 x 17 cm . . Front: With withered flowers in her trembling hands

 Serena Rossi (@serenarossiart), Green rage*, 2021, ballpointpen on paper on rice paper, 33 x 23 cm . . *From: Dodici confinamenti, Edizioni Abrigliasciolta (http://www.abrigliasciolta.it/) . . Front: La mia sorte sta appesa al palazzo. / Grattacielo di 17 piani muti. / Verde rabbia gridolino assurdo e noia. / Pizze consegnate con la bicicletta / E quelle borse che non ti puoi comperare / Sfilano. / Le lacrime da nascondere nella mano. / E gira gira ritorna a te quel biglietto consumato. / C'è scritto un nome. / Non si apre lo spiraglio morto. / Assorto / passa un cane buono.

Hagen Klennert (www.hagenklennert.de), Untitled, 2021 (?), pen, pencil and print on paper, c.a. 25 x 35 cm . . Front: <undeclared writing in German> . . 3,38 . . <?>;25 . . <deleted text> . . 12 . . 11/12 . . ABWESEND

Sophie Lavigne ( @sofilavigne ), It's getting blue, 2019, mixed media on four wood panels, 9" x 12" . . Front: L’outremer a fendu la mer et l’ocre s’est épanchée sur la terre offrant au temps une prise sur le monde. Un chemin vermillon tracé doucement sous le froid et la glace, il se disperse sous l’effet de la chaleur du ciel. Du haut vers le bas, de part et d’autre, le monde se recouvre de vivant

Lucio Palmieri (luciopalmieri.tumblr.com), Donkey judgement does not fly in the sky, 2020, mixed media on paper, 42 x 29.7cm . . Front: <deleted text>

« I use my journal to draw the sounds I hear when soundwalking. They become raw material for soundscape compositions and forms of graphic notation. » . . Daniela O'Fee (@danielaofee), Soundscape Journal Entry "Playground", 2020, ink on paper, 20 x 25 cm . . Front: Playground